Men who wish to know about the world must learn about it in its particular details. Heraclitus
Senō sensei showed a very interesting way to hit the attacker and get his balance. As he explained in Saturday, there are many steps hidden within the spaces of a 1, 2, 3 technique. This hit is one of them. Mastering it, will change your taijutsu entirely.
Uke attacks with a right fist and you pivot softly (1), keep your hips parallel with his. At the same time, you use Naka Dakken, and hit Nagare in a special way.
Naka Dakken is a type of Fudô ken from the Koto ryû. You can see it in sensei’s book “unarmed fighting techniques of the samurai”. In this book, there is a double page with many forms of fists. Study them, they are not there by chance. (2)
To form this fist you put Sui in your palm and top it with Kû (3). You fold the other fingers so that “Ka” and “Fû” are supported by Sui/Kû. This special manner of clenching the first, gives solidity and coherence to the fist during the hit.
The way you use this fist will take uke’s balance. While positioning your hips in the correct distance and position, you hit and “sukui” or scoop the attacking forearm at Nagare. (4) The scooping action has to be done precisely. As Senō sensei said “if you are too light, you don’t take the balance; and if you are too deep, you lose the momentum of the action. The timing of the scooping action has to be fine with the whole body.
When it is done correctly, uke’s balance is broken. Uke’s stops in his attack. The next movement is hitting with the same fist, to Gankotsu, Jûjiro or Murasame.
From there, you end the fight the way you want. Either with a Ganseki type of movement in the left arm; or a Ô Soto Gake on his right side. In fact you apply Ishitobashi, the skipping stone concept taught by Sensei since last summer. (5)
I hope this very detailed explanation will help you improve your general taijutsu. As we say, the “devil is hiding in the details.”
In our case, 棄世, Kisei (death), leads to 気精, the power of the devil (spirit) is what gives strength and vigor to our actions. (6) (7)
Details are important.
1. Depending on the distance, Senō sensei explained that you either step forward or backward. The body movement is like a dance movement, you are one with your partner. It’s nearly magnetic.
2. Everything that is in Sensei’s books is there for a reason. It is not only to fill the pages.
3. The five fingers follow the order of the Gogyō from the pinky (Chi) to the thumb (Kû).
4. 掬う/sukû/to scoop; to ladle out. This is sukui.
5. 石飛ばし/ishitobashi/skipping stones (on a body of water); skimming stones.
7. 気/ki/spirit; mind; heart|nature; disposition|motivation; intention|mood; feelings|atmosphere; essence.
精/sei/spirit; sprite; nymph|energy; vigor (vigour); strength|fine details|seven.