Yûro Shi Tennô Taikai July (reminder)


Yûro Shi Tennô Arnaud

Reminder:

Organizing a Taikai such as this one is always a lot of work for the Taikai Team. Last year many of you didn’t register early enough and we had to cope with some problems concerning the food and the t-shirt.

If you know you are attending then please register as fast as possible and do not forget to tick the boxes for:

  • food type
  • t-shirt size
  • rank family
  • length of stay
  • day of arrival
  • This will help us a lot and save you a lot of money. The sooner you register the cheaper you pay!

    So please register online so that we can order the food and t-shirt accordingly.

    Thank you for your help.

    YSST team 2010

    Yûro Shi Tennô by sensei


    Here is the picture of the 4 calligraphies by sôke when he decided to change the name into Yûro Shi Tennô Taikai.

    Each one bears the new name and the name of the beholder. Here from left to right: Arnaud, Pedro, Sven, Peter. Painted by Hatsumi sensei in August 2009.

    I was surprised when he called me and did the four calligraphies in front of me. Good memory!

    Yoroi is Balance


    Black belts should wear the yoroi to understand the value of balance. When you are dressed with the yoroi, the weight is spread all around the body and not only on the back as we experienced it with a backpack.

    Naturally the extra weight transforms the body repartition and we move with about 50% of our weight on each leg. This is why the kukishin ryû and the takagi yôshin ryû kamae do not have the same appearance compared to the togakure or other low kamae systems.

    Peter on the picture is showing here the kosei no kamae as if he was receiving some kind of attack from his opponent. As though “kosei” means “attack” he is absorbing the blow with his protected forearm (aite to kumu kokoro gamae) and uses his legs to cushion it. Next he will spring forward and take uke‘s balance to counter-attack. Once the blow has been received, there is no power left in the weapon, the momentum is gone.

    As sensei said back in 2003, concerning the yoroi kumiuchi: “when there are two attacks (body or weapon) they are not of the same quality”. The first attack is fuelled by the footwork and his strong and fast, the second starts where the first one was stopped and uses a different distance.

    Note that the back hand stays at the hip level as if Peter was holding a tachi.

    Every waza in Japan originated from yoroi kumiuchi.

    Basics & Fundamentals (part 3)


    Why is the Ten Chi Jin Ryaku no Maki so important?
    .
    Until 1990, we had very little knowledge about the schools and the weapons. Remember that we really began the weapons in 1993 with the and the study of the schools only in 1998! From the beginning of the Bujinkan (and more precisely when the Togakure Ryû Ninpô Taijutsu was published in 1983) the basics were transmittedthrough the Ten Chi Jin Ryaku no Maki. Each student at that time was studying the Ten Chi Jin Ryaku no Maki to improve his fundamentals. The Ten Chi Jin Ryaku no Maki was the basic program to reach the black belt. The spreading of the Bujinkan over the last twenty years has abandoned the Ten Chi Jin Ryaku no Maki and it has been often discarded by the new generation of teachers.
    .
    What is a Bujinkan black belt?
    .
    A Bujinkan black belt is someone who knows the Ten Chi Jin Ryaku no Maki so well that every technique demonstrated looks like a patchwork of elemental bricks taken from the Ten Chi Jin Ryaku no Maki. Too often students receive a black belt without the knowledge of the Ten Chi Jin Ryaku no Maki and this lack in their practice leads to big flaws in their movements. In 2009 I gave a 5-day seminar on the full Ten Chi Jin Ryaku no Maki in India. When the Indian group went to Daikomyô Sai last December they told their teachers that they could see every component of the techniques taught by sensei and the shihan and recognize the strength of the Ten Chi Jin Ryaku no Maki.
    .
    Are you a Bujinkan black belt?
    .
    Then you must know “by heart” the ten and the chi and be familiar enough with the jin. Without this basic knowledge you will not be able to go far within the Bujinkan system. The heart of “kokoro no budô” is the Ten Chi Jin Ryaku no Maki. Learn it, study it and you will see your technical level excel and reach a new understanding. Without studying the Ten Chi Jin Ryaku no Maki attending seminars is a loss of time. It is like watching a movie of which you are not part of. Learn the Ten Chi Jin Ryaku no Maki and become the actor your own life instead of being a passive observer!
    Ryaku in Japanese means “principle” but also “truth”. Learn the truth of things and you will become a true human being able to link the sky and the earth; able to be one with nature. 🙂